Tuesday, April 9, 2024

Pharmythology



Welcome to my reading corner , where we talk about the books I've read and think you should know about , and that you might be interested in. From the bad to good, to even audio books and before you ask you did read that right,buts its a new a year and I'm slowly getting in to them but I'm still going to be reading more books then audio books , each month the plan is to try and listing to 2 or 3 audio books and then talk about them , so pull up a set and if you want to get a drink. 



For this book chat the book will be 


Pharmythology: A Pharmacist’s Guide to Demystifying Medicine 

Author :Zahraa Alalag

Published Loudhailer Books

Pub date :January 13, 2024

Pages : 155

Genre : Nonfiction ,Pharmacology Toxicology

Format : ARC

Source  Loudhailer Books

Rating: 4 

Would I recommend it ? Yes 

Now on to my thoughts:

First off a big thank you to the publisher Loudhailer Books as well as to the author for the invite to read and review Pharmythology: A Pharmacist’s Guide to Demystifying Medicine .And second while I do tend to read nonfiction normally this isn't my type of reading but I'm glad I decided  to give it a try and I have to say that I actually enjoyed it way better then I thought I would , and the reason is the author wrote it in a way that I could actually understand what he was talking about as well as the photos throughout it, plus it as helped me to understand a bit more  about what more about what the FDA does and why and why not some drugs make the cut and others don't . So if you every want to understand anything about Pharmacology Toxicology or knows someone who is studying it this might be a book for them or for you . 



Ever tried to decode the side effects gabbled during the last 5 seconds of a drug commercial?


Pharmythology is for anyone with an inquisitive mind, who yet wants a break from the seriousness and rigidity of the modern world, where automation and liability protection are predominant and where information is too tedious — if not flavorless — to be meaningful.


Using simple language and a relaxed, curious tone, this book will provide you with a framework to derive unique insights and resolutions to common questions and modern dilemmas surrounding pharmaceuticals.


Drawing insights from scientific sources while also tapping into folk culture, the book presents a unique journey to explore the concrete, subtle, forgotten, and unconventional truths surrounding medications.


Find out how available drugs never got to be FDA-approved (and why that might be a good thing), how a venomous bite is revolutionizing diabetes treatment, and what tragedies shaped the way we practice pharmacy today.


Dr. Zahraa Alalag is a board-certified Medication Therapy Management specialist (BCMTMS). Her work is primarily focused on making proper interventions with the goal of treating chronic conditions. She does this through simplifying complex medication regimens and patient education. She obtained both her Bachelor's degree and Doctor of Pharmacy degree (Pharm D) with Honors citations from Nova. Southeastern University in South Florida, USA.

Saturday, April 6, 2024

THE BOOK OF THORNS

 Welcome to my show for THE BOOK OF THORNS which is been hosted by Harlequin 



The Book Of Thorns 

Hester Fox 

Published by Harlequin Trade Publishing, Graydon House

Pub date : April 2, 2024

Genres : Historical Fantasy / Magical Realism 

Pages :320 


Format : ARC 


Source: Publisher :  NetGalley ( ARC) 


Buy Links:

HarperCollins: https://www.harpercollins.com/products/the-book-

of-thorns-hester-fox?variant=41079517413410 

BookShop.org: https://bookshop.org/p/books/in-the-season-of-violets

-original-hester-fox/20070119?ean=9781525812019 

Barnes & Noble: https://www.barnesandnoble.com/w/the-book-of-thorns

-hester-fox/1143567257 

Amazon: https://www.amazon.com/Book-Thorns-Novel-Hester-Fox/dp/1525812017/

ref=tmm_pap_swatch_0?_encoding=UTF8&qid=&sr= 



Book Summary: 


An enchanting tale of secrets, betrayal, and magic…


Penniless and stranded in France after a bid to escape her cruel uncle goes awry, Cornelia Shaw is far from the Parisian life of leisure she imagined. Desperate and lacking options, she allows herself to be recruited to Napoleon’s Grande Armée. As a naturalist, her near-magical ability to heal any wound with herbal mixtures invites awe amongst the soldiers…and suspicion. For behind Cornelia’s vast knowledge of the natural world is a secret she keeps hidden—the flowers speak to her through a mysterious connection she has felt since childhood. One that her mother taught her to heed, before she disappeared.


Then, as Napoleon’s army descends on Waterloo, the flowers sing to her of a startling revelation: a girl who bears a striking resemblance to Cornelia. A girl she almost remembers—her sister, lost long ago, who seems to share the same gifts. Determined to reunite with Lijsbeth despite being on opposite sides of the war, Cornelia is drawn into a whirlwind of betrayal, secrets, and lies. Brought together by fate and magic at the peak of the war, the sisters try to uncover the key to the source of the power that connects them as accusations of witchcraft swirl and threaten to destroy the very lives they’ve fought for.


“The Book of Thorns is a gentle, magical tale of hope and healing in the midst of war. Fox does not hide from the fact that for all the romance surrounding Bonaparte’s exploits, nobody who fought at Waterloo came out unscathed, whether they were breathing by battle’s end or not. But Fox also reminds us that, even in fields tilled by cavalry charges and fertilized with gunpowder, flowers can grow.” –BOOKPAGE



CORNELIA
BEGONIA: a favor repaid, a warning foretold, a promise delivered in darkness.
Sussex, England, February 1815
I can feel Betsy watching me from the doorway.
She hovers like a bee, rehearsing some small speech in whispers. I pretend not to notice her fidgeting and instead focus on the vase of narcissi before me, the weight of my pencil in my hand. Betsy clears her throat, twice, but I am already arcing out the path of the dainty stems and unfurling petals. There is something calming about reducing the flowers to splashes of grays and blacks, finding beauty in the absence of light.
Betsy lets out a throaty cough. “You might as well come in and be done with it,” I tell her without looking up.
“Yes, miss.” She drops a curtsy, her gray ringlets bouncing under her cap. “It’s just that there’s a man in the drawing room with your uncle, miss, and your uncle asks that you join them.”
I continue sketching, watching the frilly petals take shape on my paper. “Please make my excuses,” I tell her. Uncle likes to bring me out when he has business meetings, the same way he sets out the good claret and crystal goblets with the old family crest. With no wife and no children of his own, I make a pretty addition and bring a touch of softness to his otherwise hard demeanor. “There’s a cake in the kitchen and cold ham as well that you might bring them,” I add as an afterthought.
But Betsy doesn’t leave. She wrings her hands and tuts about like a fussing hen. “No, miss. He’s for you.”
I carefully set aside my pencil. This is what I was afraid of. Closing my eyes, I rub my temples, wishing that it was anything else besides this. My time is not even my own, and I hate being pulled out of my work just to oblige Uncle.
“Very well.” I dismiss Betsy and take a moment in front of the mirror in the hall. Uncle’s friends and associates are mostly stodgy old men, but there is always the possibility that it could be someone young, someone exciting. I pinch roses into my cheeks and tease out a few of my yellow curls. If have control of nothing else in this house, I at least can take pride in my appearance.
I take a deep breath and let myself into the drawing room. “Betsy said you wanted me, sir?”
Uncle stands and tugs at his waistcoat. “Cornelia, come in.”
Though not more than fifty years in age, his poor temper and taste for rich food and drink has left my uncle with a ruddy complexion and portly figure. He is not a healthy man, and his jowls are loose, his complexion jaundiced. What he lacks in polished comportment, though, he makes up in his wardrobe, opting for elaborate cravats and showy brocaded waistcoats that never quite fit him but speak of money and an account in good standing at the tailor. Uncle waves me over, impatient. “Come meet Mr. Reeves.”

Obedient, I come and position myself near the window where I know the soft gray light is especially flattering to my fair complexion. The man unfolds himself from his chair. He is tall and spare, his black frockcoat well-cut and his boots shined. He looks familiar, perhaps from church or one of Uncle’s interminable business dinners. I suppose some might consider him handsome, but there is an intensity in his dark eyes that is more predatory than charming. “Miss Cornelia,” he says, taking my hand and bowing over it, “a pleasure.”
“Mr. Reeves.” I withdraw my hand. “I hope my uncle is not boring you with land yields and livestock accounts.”
He shares a confidential look with my uncle. “On the contrary. Our conversation has been on the most enjoyable of topics.”
“He’s here to see you,” Uncle says, plowing straight into the heart of the matter as he always does. “Mr. Reeves comes as a suitor.”
Uncle makes the outcome of this meeting perfectly clear in the sharp downturn of his lips. His patience with the matter of my marital status is wearing thin.
Well, that makes two of us.
I don’t fancy marriage, but I certainly don’t fancy spending one more day than I have to under my uncle’s roof, either. My dreams of publishing a book remain foggy and out of reach, and the money from my illustrations published in a French newspaper under a nom de plume pays only a pittance. It is not enough to live on, and certainly not enough for a young woman who enjoys fine things and an easy life. A husband would solve at least two of my problems, but it would create a host more.
“I’ll leave you two alone to talk,” Uncle says, cutting me with a look that says there will be hell to pay if I emerge from this room without securing an engagement.
The air usually lightens, the room sighing a breath of relief, when Uncle leaves, but Mr. Reeves’s presence prickles me under my stays, makes me fidgety.
Betsy is posted outside the door, her needles softly clacking as she knits some horrid bonnet or muffler. Outside, a fine mist has rolled over the gentle Sussex hills. A smile spreads over Mr. Reeves’s sharp features. “Your uncle says you’re a spirited filly. That you need a strong hand to break you.”
Ah, so it is to go like that, then. I pour a cup of tea, ignoring my guest’s outstretched hand, instead lifting the cup to my lips. “That does sound like the sort of nonsense my uncle would say.”
Mr. Reeves regards me, his dark eyes calculating. “Your uncle was right, but I think he also underestimated you. I can see you possess some wits, so I’ll not mince words.” He crosses his long legs. “I am looking for a wife, and your uncle is looking to expand his landholdings to the south of the county.”
If the man who has sat down across from me was meek, pliable, then perhaps I would have more patience in hearing his suit; I don’t need someone who will get underfoot or try to handle me. Even some doddering old lord who might die quickly and leave me a widow would be acceptable. But Mr. Reeves is irritatingly young and looks to be in good health.
“My uncle was mistaken. I am not in need of a husband.” I offer him a cold smile, my mind already back on my flowers, my fingers itching to hold my pencil. The light has shifted with the gathering clouds, and I will have to rework my shading.


He pours himself a cup of tea. “Come, wouldn’t you like to have a fine house? Be mistress of a whole host of servants? I can see that you enjoy some degree of freedom, and I can give you that. You will have a mare and a generous allowance.”
“I should think it would be terribly lowering to have to lure a wife into one’s home with promises of horses and gowns. Shouldn’t you rather wish her to come of her own volition because she holds you in some esteem?”
“You are naive if you think that marriage is anything other than a business transaction. You are a young woman of beauty and some small means but a drain on your guardian. I am an enterprising man, with successful business dealings and a good bloodline looking for a wife who will elevate his status and ornament his home. I hold a commission in the army and anticipate traveling to the Continent shortly. It is a good deal for you, and you would be hard-pressed to find a better one, especially with your lack of polish and manners.”
“It’s a little late to be going over to the Continent, isn’t it? I believe we quite vanquished Napoleon.”
Irritation animates his dark eyes before he glances away, taking what I suspect is an intentionally long sip of his tea.
I study him over the rim of my cup, imagining the way I would draw the sharp angle of his chin, the aquiline nose, before finally placing where I’ve seen him. “You were married before, were you not?”
There is an almost imperceptible stiffening of his body. “Yes, I make no secret of the fact that I am a widower,” he says shortly.
“And how, exactly, did your first wife die?” The roses in the vase on the table beside me are vibrating, warning me. I pretend not to notice, pretend that I am a normal young woman who does not receive messages from flowers.
His lips thin. “An unfortunate fall.”
“Mm. She did not bear you any children, did she?”
“Barren.” He tugs at his cravat, irritated. “You would do well not to let your ear wander to every housemaid that has a piece of gossip to peddle,” he says coldly.
“In any case, I am not interested.” I move to put my cup down, but a hand closes around my wrist, hard. I look up to find that he has leaned in close, his breath hot on my neck.
“Perhaps you’ve also heard that I have certain…proclivities.”
The roses in the vase strain toward me, singing, setting my teeth on edge. My fingers begin to tremble, but I do not let him see it. “Why would you tell me that?”
“Because I think, dear girl, that you are under the impression that I would use you poorly.” He leans back, but only slightly, the air around him still charged and menacing. “I can be a very hard man when I’m tested, but I can take my pleasures elsewhere, so long as my wife is obedient.” 
His gaze is sharp, his grip painful, and I realize that here is a dangerous man, one who is not just a brute but also clever. He cannot be fobbed off with witty barbs or batting eyelashes.
“This conversation bores me,” I tell him, standing. “I will not be your wife. I’m sorry that you wasted your time in coming here.”
But he makes no move to stand, his cool gaze sliding over me in a way that leaves me feeling horribly exposed. “I’ve seen you often, Cornelia. In church, sitting so demurely with your hands folded in your lap. You may think to have everyone else fooled, but I see the 

spirit in your eyes. A woman like you can never be satisfied with the life of a spinster, put on a shelf here in Sussex. I can offer you fine things, take you to exciting places abroad with me.”
And I’ve seen you, I think. I’ve seen how cruelly you used your first wife, the bruises on her pretty face. The way she faded little by little every week in church, until she was just a ghost in a dress, her final service that of her funeral. That will not be me.
“Surely there are other young ladies that would be flattered by your attentions,” I tell him.
“None so beautiful, none that I would take so much pleasure in breaking. The more you deny me, the more determined I am. Ask your uncle. I am a man who gets what he wants, one way or another.”
All the promise of gold or Continental trips would not be enough to tempt any marriage-minded mama to let her daughter enter into an arrangement with a man like Mr. Reeves. But of course, I have no mama to arrange such matters for me, to keep me safe.
“Then, perhaps it was time you lose for a change. Do you not find it dull to always get what you expect?”
He stands, drawing close and jabbing a finger into my bodice. It takes some great force of will to stand my ground and not let him see my fear. “You may think yourself clever, but this visit was just a courtesy. Your uncle and I have all but drawn up the contract already.”
He storms out, and the room grows quiet in the wake of the front door slamming. Betsy startles from her seat where she had fallen to dozing. I close my eyes, take a breath, wait until my heartbeat grows even again. Then I return to my waiting drawing in the parlor.
If I work quickly, I can still finish it and have it ready for tomorrow’s post. But for now, there is no waiting publisher, no silly French pseudonym; it is just the light and the shadows and me, a silent dance as I commit them to paper. Mr. Reeves and his odious proposal quickly fade away from my mind.
But then a raised voice shatters the silence, breaking my concentration, and there is the thundering velocity of Uncle coming down the hall.



Excerpted from THE BOOK OF THORNS by Hester Fox. Copyright © 2024 by Hester Fox. Published by Graydon House, an imprint of HarperCollins.







Author Bio: Hester Fox is a full-time writer and mother, with a background in museum work and historical archaeology. She is the author of such novels as The Witch of Willow Hall, A Lullaby for Witches, and The Last Heir to Blackwood Library. When not writing, Hester can be found exploring old cemeteries, enjoying a pastry and seasonal latte at a café, or  scouring antique shops for old photographs to add to her collection. She lives in a small mill town in Massachusetts with her husband and their two children.

Saturday, March 30, 2024

Reading Corner Journal 2024 ( March )

 Welcome to my reading Corner Journal,  this is the place where I'll be keep track of what books I've read each month. 

 March 


Books read : 19

Kindle : 4

NetGalley :11

Physical 5

Play books :1

Audiobooks :0

DNF 100% : 0

Buddy Reads : 6

Book that surprised me : The Guest by  B.A.Paris 

Buddy Reads where 

The Guest 

Dirty Laundry 

The Girls Who Stepped Out Of Line 

Homecoming Homicide 

Bloodlust  Blues 

Zenith Man 


Nonfiction 

Zenith Man: Death, Love, and Redemption in a Georgia Courtroom by 

The Girls Who Stepped Out of Line by Mari K. Eder

Funniest book : Bloodlust Blues by Luanne Bennett

Biggest Book 
Her Soul To Take  - pages 497 

Second biggest book 
Cheater by Karen Rose - pages 455

Favorite Books 
1: The Call by Kerry Wilk
2: Cheater by Karen Rose
3: The killer's Daughter by Kerry Wilkinson
4: Bloodlust Blues by Luanne Bennett
5: The Guest by B.A. Paris
All time favorite 
Murder Road by Simone St. James 

Re reads 
Stormbreaker 
The Third To Die 

March's classic : The Land Time Forgot

Biggest Let Down : Field of Bones by J.A.Jance 

YOUR 2024 BOOKS
  • Field of Bones by J.A. Jance
  • Stormbreaker by Anthony Horowitz
  • The Third to Die by Allison Brennan
  • The Call by Kerry Wilkinson
  • The Guest by B.A. Paris
  • Changing Lines by R.J. Scott
  • Dirty Laundry by Disha Bose
  • The Killer's Daughter by Kate Wiley
  • Cheater by Karen      Rose
  • Capital Falling by Lance Winkless
  • The Girls Who Stepped Out of Line by Mari K.  Eder
  • The Writer by Miranda  Smith
  • Her Soul to Take by Harley Laroux
  • Homecoming Homicide by Albany Walker
  • Bloodlust Blues by Luanne Bennett
  • The Land That Time Forgot by Edgar Rice Burroughs
  • Murder Road by Simone St. James
  • Zenith Man by McCracken Poston Jr.
  • Clearlake by Stanislava Buevich


Saturday, March 23, 2024

Good Half Gone

 Welcome to my show case for Good Half Gone which is been hosted by Harlequin









“911, WHAT IS your emergency?”

“Hello? Help me, please! They took my sister! Please hurry, I don’t know where they are.

I can’t find them.” *rustling noise* *yells something* “Oh my god—oh my god. Piper!”

“Ma’am, I need you to calm down so that I can understand you.”

“Okay...” *crying*

“Who took your sister?”

“I don’t know! I don’t know them. Two guys. Dupont knows them, I—”

“Miss, what is the address? Where are you?”

“The theater on Pike, the Five Dollar...” *crying* “They took my phone, I’m calling from

inside the theater.”

“Wait right where you are, someone is going to be there to help shortly. Can you tell me

what your name is?”

*crying*

“What is your name? Hello...?”

*crying, indecipherable noises*

“Can you tell me your name?”

“Iris...”

“What is your sister’s name, Iris? And how old is she?”

“Piper. She’s fifteen.”

“Is she your older sister or younger sister... Iris, can you hear me?”

“We’re twins. They just put her in a car and drove away. Please hurry.”

“Can you tell me what kind of vehicle they were driving?”

“I don’t know...”

“—a van, or a sedan—?”

“It was blue and long. I can’t remember.”

“Did it have four doors or two... Iris?”

“Four.”

“And how many men were there?”

“Three.”

“I’m going to stay on the line with you until the officers get there.”

He leans forward, rouses the mouse, and turns off the audio on his computer. Click click

clack. I was referred to Dr. Stanford a year ago when my long-term therapist retired. I had the

option of finding a new therapist on my own or being assigned someone in the practice. Of

course I considered breaking up with therapy all together, but after eight years it felt unnatural

not to go. But I was a drinker of therapy sauce: a true believer in the art of feelings. I imagined

people felt that way about church. At the end of the day, I told myself that a weird therapist was

better than no therapist.

I disliked Allen Stanford on sight. Grubby. He is the grownup version of the kindergarten

booger eater. A mouth breather with a slow, stiff smile. I was hoping he’d grow on me.

Dr. Stanford clears his throat.

“That’s hard to listen to for me, so I can only imagine how you must feel.”


Every year, on the anniversary of Piper’s kidnapping, I listen to the recording of the 911

call I made from the lobby of the Five Dollar. When I close my eyes, I can still see the blue

diamond carpet and the blinking neon popcorn sign.

“Do you want to take a break?”

“A break from what?”

“It must be hard for you to hear that even now...”

That is true, reliving the worst day of my life never gets easier. The smell of popcorn is

attached to the memory, and I feel nauseated. A cold chill sweeps over me. Swallowing the

lump in my throat, I nod once.

“What happened after you hung up the phone?”

“I waited...what else could I do? I was afraid they were outside waiting to take me too.

My brain hadn’t fully caught up to what was happening. I felt like I was dreaming.”

My voice is weighed down with shame; in the moments after my twin was taken, I was

thinking of my own safety, worried that her kidnappers would come back. Why hadn’t I chased

the car down the street, or at least paid attention to the license plate so I could give it to the

cops? Hindsight was a sore throat.

“I wanted to call Gran.” I shake my head. “I thought I was crazy because I’d dialed her

number hundreds of times and I just... I forgot. I had to wait for the cops.”

My lungs feel like they’re compressing. I force a deep breath.

“I guess it took five minutes for the cops to get there, but if you asked me that day, I

would have said it took an hour.”

When I close my eyes, I can still see the city block in detail— smell the fry oil drifting

across the street from the McDonald’s.

“The cops parked their cruiser on the street in front of the theater,” I continue. “I was

afraid of them. My mother was an addict—she hated cops. To certain people, cops only show up

to take things away, you know?”

He nods like he knows, and maybe he does, maybe he had a mom like mine, but for the

last twenty years, he’s been going to Disney World—according to the photos on his desk—and

that somehow disqualifies him in my mind as a person who’s had things taken away from him.

I take another sip of water, the memories rushing back. I close my eyes, wanting to

remember, but not wanting to feel— a fine line.

I was shaking when I stumbled out of the theater and ran toward the cop car, drunk with

shock, the syrupy soda pooling in my belly. My toe hit a crack in the asphalt and I rolled my

ankle, scraping it along the side of the curb. I made it to them, staggering and crying, scared out

of my mind—and that’s when things had gone from bad to worse.

“Tell me about your exchange with the police,” he prompts. “What, if anything, did they

do to help you in that moment?”

The antiquated anger begins festering now, my hands fisting into rocks. “Nothing. They

arrived already not believing me. The first thing they asked was if I had taken any drugs. Then

they wanted to know if Piper did drugs.”

The one with the watery eyes—I remember him having a lot of hair. It poked out the top

of his shirt, tufted out of his ears. The guy whose glasses I could see my face in—he had no

hair. But what they had both worn that day was the same bored, cynical expression. I sigh. “To


them, teenagers who looked like me did drugs. They saw a tweaker, not a panicked,

traumatized, teenage girl.”

“What was your response?”

“I denied it—said no way. For the last six months, my sister had been hanging with a

church crowd. She spent weekends going to youth group and Bible study. If anyone was going

to do drugs at that point, it would have been me.”

He writes something down on his notepad. Later I’ll try to imagine what it was, but for

now I am focused.

“They thought I was lying—I don’t even know about what, just lying. The manager of the

theater came outside to see what was going on, and he brought one of his employees out to

confirm to the police that I had indeed come in with a girl who looked just like me, and three

men. I asked if I could call my gran, who had custody of us.”

“Did they let you?”

“Not at first. They ignored me and just kept asking questions. The bald one asked if I

lived with her, but before I could answer his question, the other one was asking me which way

the car went. It was like being shot at from two different directions.” I lean forward in my seat to

stretch my back. I’m so emotionally spiked, both of my legs are bouncing. I can’t make eye

contact with him; I’m trapped in my own story—helpless and fifteen.

“The men who took my sister—they took my phone. The cops wanted to know how I

called 911. I told them the manager let me use the phone inside the theater. They were stuck on

the phone thing. They wanted to know why the men would take my phone. I screamed, ‘I have

no idea. Why would they take my sister?’”

“They weren’t hearing you,” he interjects.

I stare at him. I want to say No shit, Sherlock, but I don’t. Shrinks are here to edit your

emotions with adjectives in order to create a TV Guide synopsis of your issues. Today on an

episode of Iris in Therapy, we discover she has never felt heard!

“I was hysterical by the time they put me in the cruiser to take me to the station. Being in

the back of that car after just seeing Piper get kidnapped—it was like I could feel her panic. Her

need to get away. They drove me to the station...” I pause to remember the order of how things

happened.

“They let me call my grandmother, and then they put me in a room alone to wait. It was

horrible—all the waiting. Every minute of that day felt like ten hours.”

“Trauma often feels that way.”

“It certainly does,” I say. “Have you ever been in a situation that makes you feel that

way—like every minute is an hour?” I lean forward, wanting a real answer. Seconds tick by as

he considers me from behind his desk. Therapists don’t like to answer questions. I find it

hypocritical. I try to ask as many as I can just to make it fair.

Excerpt from Good Half Gone by Tarryn Fisher. Copyright © 2024 by Tarryn Fisher.

Published by Graydon House.












GOOD HALF GONE
Author: Tarryn Fisher
ISBN: 9781525804885

Publication Date: March 19, 2024

Publisher: Graydon House

18.99 US | 23.99 CAN


Buy Links: 

BookShop.org

Harlequin 

Barnes & Noble

Books A Million

Amazon


Social Links:

Author Website

Facebook

Instagram

Goodreads




Author Bio:


Tarryn Fisher is the New York Times and USA TODAY bestselling author of nine novels

. Born a sun hater, she currently makes her home in Seattle,

Washington, with her children, husband, and psychotic husky. She loves connecting

with her readers on Instagram.




Book Summary:


Iris Walsh saw her twin sister Piper get kidnapped—so why does no one believe her?

Iris narrowly escaped her pretty, popular twin sister’s fate as a teen—

kidnapped and trafficked and long gone before the cops agreed to investigate.

Months later, Piper’s newborn son Callum was dropped on their estranged mother’s

doorstep in the dead of night, with a note in Piper’s handwriting signed simply, Twin.

As an adult, Iris wants one thing—proof. Because she knows exactly who took Piper all those years ago,

and she has a pretty good idea of who Callum’s father is. She just has to get close enough to prove it.

And if the police won’t help, she’ll just have to do it her own way--by interning at the isolated

Shoal Island Hospital for the criminally insane, where her target is kept under lock and key.

Iris soon realizes that

something sinister is bubbling beneath the surface of

the Shoal, and that the patients aren’t the only ones being observed…


Saturday, March 16, 2024

Village in the Dark



Welcome to my reading corner , where we talk about the books I've read and think you should know about , and that you might be interested in. From the bad to good, to even audio books and before you ask you did read that right,buts its a new a year and I'm slowly getting in to them but I'm still going to be reading more books then audio books , each month the plan is to try and listing to 2 or 3 audio books and then talk about them , so pull up a set and if you want to get a drink. 


For this book chat the book will be 


Village In The Dark

Author : Iris Yamashita


Published by  Berkley Publishing Group, Berkley

Pub date : Feb 13,2024


Genres :  Mystery, Fiction, Suspense, Police procedural

Pages :289


Format :ARC 


Source:Berkley & NetGalley 


Series :Cara Kennedy #2

Rating : 4

Would I recommend it ? Yes 

Would I read more of this series ? Yes , in fact I added the first book to my wish list along with this one.

Would I read more by this author ? Yes

Now on to my thoughts 

First off like I do each and every time I want to give a  big thanks to the publisher Berkely as well as to the author ,and Netgalley for the invite to read and review Village in the Dark , not only is this a new to my series but also a new to me author Even though this is a second book in a series I actually liked it ,one  I enjoyed it so much was that  I actually know a little bit about the place the author used in her story since I remembered watching a show about it on YouTube so that made the story even more interesting, and a bit different from anything I've read  before , and second it used one of my all time favorite tropes in it and that's the story takes place in a isolated region where there is only one way in and one way out, and you have no idea what's going to happen with each turn of the page. The author brought not only the building to life but also her characters and places that she was talking about to a point it felt that you could reach out and touch them. 



Detective Cara Kennedy thought she’d lost her husband and son in an accident, but harrowing evidence has emerged that points to murder--and she will stop at nothing to find the truth in this riveting mystery from the author of City Under One Roof.


On a frigid February day, Anchorage Detective Cara Kennedy stands by the graves of her husband and son, watching as their caskets are raised from the earth. It feels sacrilegious, but she has no choice. Aaron and Dylan disappeared on a hike a year ago, their bones eventually found and buried. But shocking clues have emerged that foul play was involved, potentially connecting them to a string of other deaths and disappearances. 

 

Somehow tied to the mystery is Mia Upash, who grew up in an isolated village called Unity, a community of women and children in hiding from abusive men. Mia never imagined the trouble she would find herself in when she left home to live in Man’s World. Although she remains haunted by the tragedy of what happened to the man and the boy in the woods, she has her own reasons for keeping quiet.

 

Aided by police officer Joe Barkowski and other residents of Point Mettier, Cara’s investigation will lead them on a dangerous path that puts their lives and the lives of everyone around them in mortal jeopardy.




About the author

Born in Missouri, raised in Hawaii and having lived in Guam, California, and Japan, Iris Yamashita was able to experience a diversity of culture while growing up. She studied engineering at U.C. San Diego and U.C. Berkeley and also spent a year at the University of Tokyo studying virtual reality. Her first love, however, has always been fiction writing which she pursued as a hobby on the side.


Iris submitted her first screenplay to a competition where she was discovered by an agent at the Creative Artists Agency (CAA) who offered to represent her. Her big break came when she was recruited to write the script LETTERS FROM IWO JIMA for Clint Eastwood. LETTERS was named “Best Picture” by both the National Board of Review and the Los Angeles Film Critics Association. It received a Golden Globe award for “Best Foreign Language Film” of 2006 and was nominated for 4 Oscars including “Best Picture” and “Best Original Screenplay.” 


CITY UNDER ONE ROOF is her debut mystery novel set in a tiny Alaskan town where everyone lives in a single high-rise building.


Iris continues to work in Hollywood, developing for both film and streaming media and has also dabbled in writing a musical for a Japanese theme park with Tony Award-winning composer, Jeanine Tesori. She has taught screenwriting at the University of California, Los Angeles and the American Film Institute. 


Pharmythology

Welcome to my reading corner , where we talk about the books I've read and think you should know about , and that you might be intereste...